Chapter IX:


The worst of the great political storm had not yet touched the outlying villages. The people, of course, were desperately poor, for the year had been one of the hardest the unfortunate country had ever known; a prolonged drought had been followed by terrible hailstorms on the very eve of harvesting; the price of corn was prohibitive, and the winter that ensued was so severe that even forest trees suffered from the frost. Poor? Of course they were poor! There was no such thing as a plump girl to be seen in any village: children were emaciated, their growth stunted, their future health hopelessly impaired. But life had to go on just the same. There was marriage and giving away in marriage; babies were born and old people died; and those that were not old clung to life in spite of the fact that it promised nothing but misery.


André Vallon's visits to Val-le-Roi were always something of holiday for all. He was so gay, so light-hearted. the news which he brought from Paris always seemed reassuring.


He would meet his friends around the bare tables of the village inn where, over sips of thin, sour wine, he would try to put heart into the men.


"It can't last, can it, André?" they would ask.


"Of course it can't. The darkest hour always comes before the dawn. There are some good times head for all of us. You'll see."


Then he would call to Suzette, mine host's pretty daughter, and sit her on his knee.


"Come, Suzette," he would say gaily, "help us to talk of something cheerful: of your pretty self, for instance, and of Jerome, whom you met last night in the lane. You did... don't tell me you did not... Give us a kiss, no, this instant, or I'll tell your worthy papa just what I saw in the lane last night."


And in the sunshine of his irrepressible gaiety some of them would momentarily forget their troubles.


"There goes that madcap, André Vallon," the older people would say when he went down the village street, singing at the top of his voice; "he was always a good lad, but his skin is too tight to hold him."


And they would tell each other tales of André's misdeeds when he was a boy, and of the worry which he had been to his mother: not a lad in the village whom he had not licked at some time or another, not a girl from whom he had not snatched a kiss. Twice he had been within an ace of being drowned; three times he had nearly smashed himself to pieces by falling from a tree or a rocky height; once he had tackled farmer Lombard's bull which was after him, and with just his two hands he had squeezed the life out of Bailiff Talon's savage dog."


"Such a beautiful boy, he was," the women said.


And the girls giggled as he went by, for those great dark eyes of his would look them up and down with disturbing, provoking glances. And some of them would pause and return the glance with a look which was more than a hint, but André would only smile, showing a gleam of white teeth. But ne'er a look of tenderness did he cast in response, nor did the faintest whisper of love ever cross his lips.


Love-making? Yes! Any amount of it. André's young arms were forever reaching out for white shoulders or a slim waist; his full laughter-loving mouth was always ready for a kiss, but it remained at that: there was no girl for leagues around who could boast that she had meant more to André Vallon than the old mother whom he worshipped.


But the old mother knew - or rather guessed - that there was always something behind her son's flippancy in the manner of women and of love. She didn't know what it was, but there was no deceiving her - there was something. And there came a time when she made a pretty shrewd guess. She asked no questions, of course, but whenever the subject of the Château de Marigny and its inmates cropped up, a strange reserve seemed to tie the boy's tongue. He would become moody and silent, and if Marianne then pursued the subject, spoke of the hardships so bravely borne by Monseigneur, or said something of Mademoiselle Aurore and her angelic patience in all her misfortunes, André would suddenly jump to his feet and cry out with extraordinary vehemence:


"Don't talk to me about those people, Mother. I hate them!"

 

©Blakeney Manor, 2002